It consists of the root note (1), the major third (3), the perfect fifth (5), and the minor seventh (b7). The Dominant 7 arpeggio, often referred to as the "7" or "dominant seventh," is a four-note chord arpeggio derived from a dominant seventh chord. The resulting sound is rich, harmonically stable, and has a bright, lush quality. It consists of the root note (1), the major third (3), the perfect fifth (5), and the major seventh (7) of the corresponding major scale. The Maj7 arpeggio, short for Major 7th arpeggio, is a four-note chord arpeggio derived from a major seventh chord. If new to 7th chords, start by learning your open position shapes and then taking some of those shapes including Amaj7, Dmaj7, and Fmaj7 in particular, and learning different positions and voicings all over the neck to add an extra dimension to your music.Firstable, here are the seven arpeggios and chords used in this exercise. Hopefully, after reading this article you now have an understanding of what Major 7th chords are, how they are constructed, and how to incorporate them into your playing. Keep this in mind and also experiment with different voicings, especially if playing accompanied. When using Major 7th chords in your music, remember 7th chords are essentially just triads with an extra note added to make the chord more interesting. So, in the key of A, for example, this would mean substituting the tonic chord (AMaj) for AMaj7 and the subdominant Dmaj for Dmaj7. In Major keys, you can use Maj7 chords as substitute chords for I ( tonic) and IV ( subdominant) chords. Major 7 chords function the same as Major chords. You’ll mostly hear Major 7 chords in Jazz and R&B but they are also used across a wide range of genres. Now that we understand how they are constructed and how to form both open position and moveable Major 7 chords, how do you go about using them musically? We can also use our FMaj7 shape by adding our pinky to the high E string one fret lower than the note fretted on the B string. You can hear Maj7 chords used to create a dreamy, lush soundscape in a song like ‘Lazarus’ by Steve Wilson (Porcupine Tree). Many people describe the sound of Major 7 chords as lush, dreamy, and slightly jazzy. Here’s a quick audio clip demonstrating an A Major triad in the open position followed by an A Major 7 chord, also in the open position.Īs you can hear the Maj7th chord sounds more harmonically complex. We’ll use the key of A Major for the examples in this article. In the following article, I’m going to show you how to take advantage of Major 7 chords by demonstrating how they are constructed (so you can work out how to play Maj7 chords in any key, and then demonstrating how they are played including open position and moveable voicings, before finishing off with how to incorporate them into your playing.īut first, let’s take a listen to what a Major 7 chord sounds like compared to a Major chord. If you are looking for an overview of 7th chords in general, click here. Major 7 chords sound ethereal, dreamy, and lush and in Major keys can be used as substitutions for I (tonic) and IV (sub-dominant) chords. The scale degree formula would therefore be 1, 3, 5, 7. Another way to build them is to simply add the 7th scale degree from the Major scale to an existing Major triad. In today’s article, we’re going to take a closer look at one of the four most common types of 7th chord, the Major 7 chord.īut, if you’re just looking for a quick overview: Major 7 chords are Major triads with an added Major 7th interval (11 semitones above the root, or one semitone below the root).
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